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Appendix for Chapter 2

The English Strawberry - Symbolism

The Symbolism of the Strawberry

This is a brief mentioning of the symbolism of the strawberry, as this might also have played a part in Austen’s considerations. A search for: (strawberry OR strawberries) AND symbolism AND (18th century OR 19th century) offers a wide range of options to start with.

Ch2/31a: The Strawberry: A Symbol of Perfection & Righteousness

Elaine Jordan repeats that ‘the medievals considered strawberry a symbol of sexual temptation because of its many seeds and its ephemeral odor’, and Jordan reminds us that many medieval manuscripts are decorated with the image of the strawberry.

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Source: Jordan, 'The Strawberry: A Symbol of Perfection & Righteousness'.

Ch2/31b: Examples of Medieval Manuscripts Decorated with Strawberry Images

Book of Hours, use of Rome - Digita.jpg

Raising of Lazarus - Digital Collections: Book of Hours, use of Rome.
Source: https://libwww.freelibrary.org/digital/item/4941

Annunciation to the Shepherds Book of Ho

Annunciation to the Shepherds

Source: https://libwww.freelibrary.org/digital/item/3095.

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BudeArms.jpg

Left: Bude Crucifixion - Recueil de prières.  Right: Details from same manuscript.
Source: https://mssprovenance.blogspot.com/2014/07/another-manuscript-commissioned-by-jean.html

Anker 1

Ch2/32: Saint Francis of Sales or Francis De Sales (Counter-Reformation)

Saint Francis of Sales was a French Bishop of Genevaand and he was canonized in April 1665. 

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He was born on August 21st, 1567, in Thorens-Glières, Savoy, and he died on December 28th, 1622, in Lyon. St Francis was a Roman Catholic bishop of Geneva and doctor of the church; he was active in the struggle against Calvinism and a co-founder of the order of Visitation Nuns.

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He wrote the devotional classic Introduction to a Devout Life (3rd definitive edition, 1609), which emphasized that spiritual perfection is possible for people busy with the affairs of the world and not only for those who withdraw from society, which many believed at the time.

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In 1923 Pope Pius XI named him patron saint of writers.

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Source: The Editors of Encyclopaedia Britannica, 'Saint Francis of  Sales',    https://www.britannica.com/biography/Saint-Francis-of-Sales

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St Francis de Sales.
Source: https://www.britannica.com/biography/Saint-Francis-of-Sales

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Desdemona's handkerchief.  

Source: https://hobbinol.files.wordpress.com/2013/08/othello_handkerchief.jpg

Swannack, ‘The Egyptian’s Warning’.

Ch2/33a: Interpretations of the Strawberries on Desdemona's Handkerchief in Othello by William Shakespeare

In Shakespeare’s Othello, Desdemona’s handkerchief is decorated with symbolic strawberries,[i] and Natasha Korda states that ‘the strawberry plant ... is among the most frequently occurring of such objects represented in English domestic embroidery surviving from the period.’ Korda explains that the handkerchief's status is thus underscored as something familiar and recognizable by the presence of the strawberries, and she finishes that it is ‘a quintessentially English form of frippery’. [ii]
Did Austen also see the strawberry as something quintessentially English?

 

[i] Shakespeare, Othello.

[ii] Korda, 'Chapter 4. The Tragedy of the Handkerchief', 125.

Ch2/33b: Excerpt from Othello by William Shakespeare (ACT 3. SC. 3)

OTHELLO   

   O monstrous! Monstrous!

IAGO   

   Nay, this was but his dream.

OTHELLO   

   But this denoted a foregone conclusion.

   'Tis a shrewd doubt, though it be but a dream.

IAGO   

   And this may help to thicken other proofs That do demonstrate thinly.

OTHELLO 

    I'll tear her all to pieces.

IAGO   

   Nay, but be wise. Yet we see nothing done.

   She may be honest yet. Tell me but this:

   Have you not sometimes seen a handkerchief

   Spotted with strawberries in your wife's hand?

OTHELLO   

   I gave her such a one. 'Twas my first gift.

IAGO   

   I know not that; but such a handkerchief--

   I am sure it was your wife's--did I today

   See Cassio wipe his beard with.

OTHELLO 

   If it be that--

IAGO 

   If it be that, or any that was hers,

   It speaks against her with the other proofs.

OTHELLO 

   O, that the slave had forty thousand lives!

   One is too poor, too weak for my revenge. Now do I see 'tis true. Look here, Iago [...]

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Source: https://www.folgerdigitaltexts.org/download/pdf/Oth.pdf

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Ch2/34: Richard III and Henry V by William Shakespeare

Philip Lee explains that in Richard III (1592) and in Henry V (1599) Shakespeare links the same character i.e. a Bishop of Ely, with strawberries, and Lee informs that Richard III may actually have suffered from an allergic reaction caused by the proteins in strawberries given to him by a Bishop of Ely, and that another Bishop of Ely believed the newly crowned king Henry V to be hypocritical and possess adder-like qualities.

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Lee writes regarding Richard III:
 

'The gardens of St Etheldreda were said to produce the finest strawberries in London, and a Strawberry Fayre is still held here every June. In Shakespeare’s Richard III, the as yet uncrowned Gloucester tells the Bishop of Ely:

My Lord of Ely, when I was last in Holborn,
I saw good strawberries in your garden there.
I do beseech you send for some of them.

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The strawberries are fetched and Richard eats them. A little while later he returns in a foul mood, claiming that his arm has withered. According to Sir Thomas More’s History of King Richard III – written a hundred years after Richard’s death – the incident actually took place:

"And soon, after one hour, between ten and eleven he returned into the chamber among them, all changed, with a wonderful sour angry countenance, knitting the brows, frowning and froting [chafing] and gnawing on his lips… And therewith he plucked up his doublet sleeve to his elbow upon his left arm, where he showed a werish [deformed] withered arm and small, as it was never other."'

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Lee quotes Amy Licence for writing in “Was the downfall of Richard III caused by a strawberry?” (New Statesman, 31 August 2013) that 'strawberries may have been responsible for causing Richard’s arm to appear withered:

"The allergic reactions caused by the proteins in strawberries can produce tingling limbs, breathing difficulties and red, puffy, itchy skin. These symptoms usually occur within two hours of eating the fruit, which is compatible with the timescale of the meeting… Internal distress, breathing difficulties following the closing of bronchial tubes and congestion can follow. Sufferers also experience itching, with limbs becoming red, puffy and blighted… It is quite possible that Richard had a latent allergy to strawberries which emerged with the first crop that June, causing the sudden physical responses in his body."'

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As to Henry V, then Lee this time quotes Karen Newman for stating in Essaying Shakespeare (2009) that:

"In the Renaissance, strawberries signified virtue or goodness but also hypocritical virtue as symbolized by the frequently occurring design and emblem of a strawberry plant with an adder hiding beneath its leaves."

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 So when a Bishop of Ely says of Henry V  ... :

"The strawberry grows underneath the nettle,
And wholesome berries thrive and ripen best
Neighbor’d by fruit of baser quality…"

... he might have had an adder in mind.

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Source: Lee, ‘There’s More to Wild Strawberries than Meets the Eye’.

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Anker 2

Ch2/35: The Strawberries as Symbol of Sexual Desire in Austen's Writing

Margaret Doody writes that strawberries are traditionally the fruit of Venus, and she continues to write that Mrs Elton's wish for a strawberry-gypsy-party signals sexual desire, but that surprisingly it is Mr Knightley who suggests: "Come, and eat my strawberries. They are ripening fast". Doody interprets this as if it is Mr Knightley who is ripening fast and who needs to have sex, although the invitation is not aimed at Mrs. Elton. Doody also suggests that 'Mrs Elton's lack of staying power in berry gathering perhaps points to a deficiency in sexual stamina.'[i]

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Doody argues that '[i]f the newly married Mrs. Elton wishes to "explore" Box Hill, she may be unconsciously wishing to explore further sexuality or to induce her husband to do so. The very name of the place is mildly obscene. ("Box" and "Hill" are slang names for sexual parts of the female body.)'[ii] This is a different angle to the traditional applied in connection with Austen's fiction.

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[i]   Doody, Jane Austen’s Names, 348.

[ii]  Doody, Jane Austen’s Names, 349.

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